Sunday, March 22, 2020

On your knees do not get up Review Essay Example

On your knees do not get up Review Paper Essay on On your knees do not get up The privilege of hatred » A small booklet, published in paperback by the publishing house of political literature in 1992, a circulation of 15 thousand., Was designed as modestly noted in his review, to those who are interested in the political history of our country. The phrase political history extraordinarily accurate. In fact, Substantiality definition policy this is exactly the social activity, which is no other than the class relations of the company It is clear that neither the history of class relations, nor their study can not be. indifferent by this relationship, but this is only one side. On the other can tell a lot for those interested in their content. The emergence of this literature the phenomenon is always extraordinary unique and rare, worthy of attention, effort, apparently, as an exception only in the most critical periods of changing forms of political domination in the country, and more specifically, changing forms of Russian politarizma in 1991-1993, (what politarizm see review.) We will write a custom essay sample on On your knees do not get up Review specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on On your knees do not get up Review specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on On your knees do not get up Review specifically for you FOR ONLY $16.38 $13.9/page Hire Writer However, the content of the class relations in general and relations politarnyh, in particular, is almost never the exception of periods of revolutionary upheaval is not on the surface.. Moreover, carefully hidden ideological attendants power because, as you know, is always oppressing classes need to safeguard their rule of two social functions: the function of the hangman and the function priest (VI Lenin, Collected Works Full T .26. p.237). In addition to several articles of political biography MN Ryutin, the book was first published two stunning revelations of their document: 1) Stalin and the crisis of the proletarian dictatorship the so-called Ryutin platform (see here.); 2) All members of the CPSU (b) a manifesto Union Conference Union of Marxist-Leninists » Their author Martemyan Ryutin. . Both documents are vivid descriptions and denunciations politarnyh reality of class relations of the Russian society caught in the late 20s and early 30-ies. Fever nomination IV Stalins unlimited, uncontrolled power, and to the dealership just formed party-bureaucratic hierarchy a huge (several hundred thousand) is already on the scale of the party nomenklatura system (Class politaristov in the modern theory):  «lies and slander, shootings and arrests, guns and machine guns, in all ways and means they will defend their dominance in the party and the country, because they see them as their patrimony  », clearly stated in the second of these documents  «Politburo, the Presidium of the Central Control Commission, secretaries regional committees as a result of the changes in the life of the party and the 18 Brumaire Stalin turned into a gang of unscrupulous, have become a hopeless liar and cowardly politicians, and Stalin in an unlimited and irremovable dictator exhibiting ten times more blunt arbitrariness, tyranny and violence against the masses than any autocratic monarchy. Stalin and his clique did not go away and can not voluntarily withdraw from their seats, so they must be eliminated by force (ibid). August 21, 1932 in the village of Golovino under Moscow held a meeting of a small group of like-minded, having heard the report of the MN Ryutin Party crisis and the proletarian dictatorship. After discussion, the report was laid in the foundation of the platform adopted by the organization, by a suggestion Ryutin was decided to name Union of Marxist-Leninists. Many of those present were of a like-minded group, whose views are represented at this meeting conference. The text of the appeal to all members of the party met then the majority of the teachers of the Institute of Red Professors (AN Slepkov, DP Marecki, YE Stan, PG Petrovsky, and others.) And former leaders of the united opposition. Circle familiar with the document on a read refer a friend increased rapidly September 22 Rutin was arrested.. In the case of the organization was held about 50 people. Almost all have been expelled from the party. Ryutin fate was decided at the meeting of the Politburo, where the Secretary General demanded the execution of the authors platform Union of Marxist-Leninists. But in 1932, members of the Politburo the party oligarchs not allowed Stalin to make a political punishment and the death penalty against Honored the party at that time still was not used. However, later, the murder of SM Kirov Stalin unleashed his hands and allowed to take the course at the physical destruction of the Leninist Party Guard. Stalin personally met with convicts, the promise of life in exchange for pleading guilty and after the confession followed the death sentence and the bloody tragedy. No similar transactions with Rutin, protesting against the very methods of investigation (even resorted to a 20 day hunger strike!), Concluded it was not possible. Its preparation for sho w trials was thwarted. 10th January 1938 held a closed trial, which lasted 40 minutes and a half hour Martemyan Nikitich was shot Civil pathos Riutin platform -. A comprehensive denunciation of Stalin and his politics, as politicians leading the country to an economic and political disaster . Here are just some of the many Riutin denunciation of Stalins despotism:  «Lenin was the leader, but he was not a dictator; Stalin, on the contrary, is a dictator, but not a leader. Stalin never was a real, authentic leader  »  « unprincipled politician and the sophist, cook dirty cooking with regard to the conditions of the Soviet Union -. This is a moral and political complexion of Stalin  »  «! agriculture is experiencing a catastrophe. phony Potemkin successes of collectivization were achieved due to the incredible terror against the bulk of the village, that there was a wave of unprecedented peasant revolts of the middle peasant, poor peasant masses, rebellions which in many cases involved members of the party and Komsomol, uprisings, which sometimes led members party since 1918, and in one case even a district commissioner OGPU. Only major uprisings with thousands of participants each during this period of the Soviet Union was more than 500 and smaller and even more  ».  « there are 400-500 thousand. Unemployed in the latent form of the Soviet Union (Stalin is fraudulent way and hide will hide, because hes unemployment eliminated). Over the next 1-2 years, unemployment will cover at least 2-2.5 million. Workers.  »  « Socialist construction, Stalin turned to the construction of the pharaoh. Building on the bones of the workers and working on poverty, on the robbery of the masses and violence against them not a genuine socialist construction  »  « Stalin proletarian dictatorship and socialist construction, according to their actual content, to a great extent already. destroyed.  »  « Genuine Leninism is now moved into hiding, is forbidden teachings  ».  « Construction of Pharaoh and was building politarnogo, or rather, industro- or otherwise neopolitarnogo society in Russia. Deep theoretical pathos platform the prophecy come true collapse of the proletarian dictatorship of the state and the transfer of power into the hands of unscrupulous officials, appointees, soldered relations of personal loyalty despot-politarhu. And even historic importance historiosophical Riutin documents is that they open up for us the most important historical metaphor: the first in the organized political struggle with neopolitarizmom stood his real political antipodes the revolutionary Marxists, Leninists. Those who for decades our agitprop carefully showered lies and slander, those who have used and enjoyed by the powers that be and indulge them subservient to ideological sole exclusive right and without hypocrisy, the privilege of hatred (MA Lifshitz)

Thursday, March 5, 2020

Food Culture Essay Example

Food Culture Essay Example Food Culture Essay Food Culture Essay Essay Topic: Like Water for Chocolate Food Culture Name: Course: Institution: : Instructor: Date: Food Culture Sydney is famous for its culinary variety and expertise. It is famous for combining commercially prepared food with fresh ingredients. Many of the world’s best chefs are said to come from Australia, and this is given by the fact that they provide the best seafood dishes. The budding food culture in Sydney is considered adventurous because of its growing preference amongst the locals and tourists, as well. Australian cuisine is currently one of the most dynamic cuisines in the world thanks to immigration and a public willing to try out new things in matters culinary. Prominent gourmands from different places around the world such as New York and Paris are known to frequent Sydney to share and learn culinary tricks. These chefs bring with them fresh ideas that the locals are starting to appreciate and like. This had enhanced the dining standards in Sydney making Australian chefs, recipe books and food writers sought after abroad (Ver et al, 2008). The mixture of cultures in Sydney has given birth to the development of diverse food cultures in the region. There is a new frenzy in Sydney, which is Cake Wine. This notion is about pairing the best music and art pieces with wine. This innovative idea is different from the cliche perceptions where winemakers are always thinking of what foods to pair with their wines. The founders of Cake felt the need to initiate this notion into the market after looking for something different in bottle shops and not finding it. They said, â€Å"We didn’t see a wine brand that was speaking to us and the generation who are interested in what we call ‘creative culture’† (Shanti, 2012). They are using sauvignon Blanc and cabaret merlot as canvases for the imaginative works of other artists. Beci Orpin’s art work in on the white while the red has Kill Pixie’s work. These are all ways aimed at improving their love for creativity and culture using wine. Wine enthusiasts are thus encouraged to partake in wine tasting events and functions but not to develop into connoisseurs. Taking Cake is an establishment of oneself as a lover of culture, music, art and food. Sydneysiders who have embraced this new form of drinking, have shown appreciation for innovative ideas in linking drinks and culture instead of the usual food and cultures to which they are used. Wine enthusiasts from all over the world have traveled to Sydney to sample this new phenomenon, and the results of these experiences have been impressive. It is said that taking Cake attaches an individual to Sydney music and street art. However, this idea came about after extensive traveling to carry out research in the whole of Australia about wines, before they settled on the two wines with which to work. The story behind the selected wines is purely because they were found in the oldest winery in Adelaide Hills. Cake wines are not too strong and lack opinions. Cake drinkers appreciate the lightness of the wines and the fact that they are light and easy to drink. They are wines that are bought and enjoyed without second thoughts. These wines are considered ideal for after-work relaxation periods and weekend getaways. Cake drinkers are also associated with their affection for creativity and freedom; they are a new generation of drinkers who do not give in to making compromises in life. Cake creators like to call their customers as people who â€Å"want their cake and eat it too† (Shanti, 2012). This means that they are adventurous and open to new cultural ideas. Cake can be found in around Sydney in 60 stockists and is sold at music festivals, galleries and cinemas. This is because most of its clientele is music and art lovers from Sydney and the world over. There are plans to engage new wines into the Cake business in the near future, namely pinot noir and pinot grigio. These wines will also be adorned with labels by a fresh breed of artists. One of the fastest selling Cake wines is the Layer Cake Shiraz. It is known for its exotic taste at the nose with hints of mint, dark chocolate, eucalyptus and mulberry. Customers notice on their palates the slight notes of dark chocolate, oak and black currant. It has been to have a slight touch of bitter tannin on the finish, making it a favorite of many. The Sauvignon Blanc is well balanced with stinging natural acidity leaving a mouthwateringly crisp finish. It is also made with hints of citrus and bright tropical notes and an allure of passion fruit. The pinot noir is expected to have a clean, delicate taste of cherry juice, blueberry fruits and plum flavors. The pinot grigio will possess precision in acidity leaving a crisp finish just like the Sauvignon Blanc. Sydneysiders are increasingly embracing the new culture that is Cake wines, and this has boosted their economic and social lives, as more tourists flock the region to have a taste of this innovative sensation. As the rest of the world embraces food cultures, Australia leads in this venture as it continues to celebrate biodiversity in its culinary cultures and its growing popularity in some of the world’s most legendary destinations. Customer experiences associated with Cake are linked to the love of creativity in culture and giving back to the community. Twenty-five cents from every bottle purchased go to FBI Radio, a community radio station. Cake also has connections with Inertia, a music label that provides appropriate soundtracks and ‘limited-edition vinyls’ to Cake-drinkers (Shanti, 2012). The Cake team supports drinkers of wine and artists of different calibers through their wine and promotional events. The main aim of the Cake team is not to contemporize the bottle labels but rather to contribute to the culture. In their words, the Cake team says, â€Å"we want to be different, we want to give back and support the culture that we love, this goes well beyond putting a pretty piece of art on your label† (Shanti, 2012).